The movie’s message is calibrated to the political moment and speaks to fears shared on both left and right. An important new friendship for Rogers is inaugurated, and another from his past plays a crucial role in what unfolds. (Read-or better yet, don’t-accordingly.) Suffice it to say that in addition to the familiar characters already mentioned-and SHIELD agent Maria Hill, played by Cobie Smulders, who has a small but important role-we’re also introduced to former paratrooper Sam Wilson (Anthony Mackie) and to Nick Fury’s boss, Alexander Pierce (Robert Redford).
But the less you know going in, the more pleasurable I suspect they’ll be.
Many of the narrative surprises and Big Reveals have already been widely circulated, and they’re a pleasure even if you see them coming. I’m going to leave it there as far as the plot goes. It is not, of course, routine at all, as Fury has another, secret agenda for the operation: SHIELD has been compromised at a high level, and he’s trying to find out how and by whom. When pirates highjack a SHIELD vessel in the Indian Ocean, Rogers and the Black Widow (Scarlett Johansson) are sent on what appears to be a routine hostage-rescue mission. Steve Rogers (Chris Evans)-is now working as a moderately reluctant contractor for SHIELD, the global spy service run by Nick Fury (Samuel L. Having been thawed out of his post-war freeze and then commissioned as an Avenger, Captain America-a.k.a.
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Where the first Captain America movie was engineered as a throwback 1940s war film, the new one is instead an espionage flick that self-consciously harkens to the political thrillers of the 1970s. But those with any affinity for the genre are likely to emerge profoundly satisfied. Those who don’t care for superhero flicks may not be won over. The performances are good, the script (by Christopher Markus and Stephen McFeely) is sharp, and the action sequences are nothing short of superb. It is easily the studio’s most ambitious undertaking short of The Avengers, artfully knitting together Cap’s WWII history and the present-day Marvel-verse, while also serving as robust connective tissue to next year’s Avengers sequel. If he maintains anywhere near his current standard, we may have to hold our obituaries for the superhero genre for a good long while.Ĭaptain America: The Winter Soldier continues-indeed, elevates-Marvel’s strong run. According to Bloomberg, a flow chart on Feige’s office wall has Marvel releases mapped out all the way to 2028. His misfires ( The Incredible Hulk, Iron Man 2) have been mild ones, and his hits (almost everything else) have been remarkable. In six years, he’s produced nine Marvel movies by eight different directors, all of them interconnected even as they vary radically in tone and locale, from the interstellar fantasy cityscapes of Asgard to the bitter alpine forests of WWII Germany. Named president of the studio in 2007 at the age of 33, he’s since had a run of almost Pixarian success. Then along came Marvel Studios, and-more particularly-Feige. And the question of who is entitled to carry the shield or be Captain America was central to the show.The Unorthodox Art of an Ultra-Orthodox Community Avital Chizhik-Goldschmidt Up until this point, Chris Evans has played Captain America via the Steve Rogers character, appearing in a trio of solo movies, Avengers outings, and assorted other Marvel films. No castings for the project are officially known, but Friday’s episode offers plenty of roads for the feature to take. Spellman will co-write the script with Dalan Musson, a staff writer on Falcon and the Winter Soldier. The head writer and creator of Disney+ and Marvel’s The Falcon and the Winter Soldier is developing a fourth installment of the Captain America film franchise for Marvel Studios. Malcolm Spellman is picking up Captain America’s shield once again.